♦ Judy Miller is joining Fox News as a contributor. [WaPo]
♦ David Carr chats with lousy market prognosticator Jim Cramer, who concedes that it's "a completely humbling market," but won't apologize for suggesting everyone take their money out of the market. [NYT]
♦ Jeff Zucker says NBC will cut $500 million from its 2009 budget. [Reuters]
♦ Jeff Probst has a new show in the works: Live Like You're Dying will feature Probst taking a terminally-ill person on "the last adventure of their life." [EW]
♦ A report on the mood at the Frankfurt Book Fair. [NYO]
♦ Rick Yorn has left the the Hollywood management powerhouse the Firm. [Variety]
♦ Max Payne was the No. 1 movie at the box office this weekend, racking up $18 million in ticket sales. [LAT]

Time to unzip your Happy Weekend Suit and step back into your Monday Morning Iron Maiden: The work week is again upon us. Quick—jumpstart your productivity with some box office numbers before someone finds your position detrimental to the bottom line: 1. Max Payne - $18 million Fresh off his ass-whispering turn on an especially excruciating, Sarah Palin-boosted episode of SNL, it's Mark Wahlberg who's doing most of the laughing today: The actor's latest cinematic foray clicked with young male moviegoers, despite being dismissed by most critics as being hyper-stylized junk, like some spiraling turd floating in the Wachowski brothers's septic tank. Still, not all were left unimpressed, as a giddy Colin Powell, his eyes reflecting a steady downpour of slo-mo bullets, gushed to his wife that the "transformational" third-person-shooter adaptation who would "electrify" our country's fanboy electorate.2. Beverly Hills Chihuahua - $11.2 million Audiences continued to roll onto their backs and squirm in delight as they had their bellies rubbed by Disney's bat-eared superstars. Not surprisingly, then, the hit's microscopic sequel—Fleas of Beverly Hills Chihuahua, about a poor, parasitic insect family that hops from rich chihuahua to rich chihuahua so that their children can enroll in the area's public schools—is being rushed into production. 3. The Secret Life of Bees - $11.05 million Gracefully developing, is-she-or-isn't-she-stroppy? superstar Dakota Fanning and friends balanced out the vast gender divide for Fox, giving their Searchlight label the women who avoided Max Payne like the plague. "We had something for everyone," explained Fox VP Bert Livingston, temporarily forgetting about the 99.999999% of the world's population interested in neither. 4. W. - $10.55 million Let's run down W.'s numbers: It's Oliver Stone's fifth-best opening ever, right behind Natural Born Killers. Exit polling showed 47% of audiences were over 40, 90% don't like the President, 80% were voting Obama, and 6% McCain. A round 100%, however, thought the movie was intermittently engaging, but by and large a cojones-deficient mess. 5. Eagle Eye - $7.343 million "If you want to live, you'll do as I say. Now get wasted, hook up with Adrian Grenier's girlfriend, and lose a pinkie nail in a near-fatal car accident at the corner of Hollywood and La Brea. You'll get your next instruction there."

Welcome back to Defamer Attractions, your one and only guide to everything new, noteworthy and potentially noxious at the movies. This week sees Oliver Stone officially establish the land-speed record for producing an Oscar contender, joined by skull-cracking Mark Wahlberg, sex-driving Seth Green and our diva-colored underdog. As always, someone's gotta lose; we'll call our shot there, too, along with cherry-picking through a new crop of DVD's. As always, our opinions are our own, but we have little doubt they would look great on you. Try them on after the jump.WHAT'S NEW: No one would argue that Mark Wahlberg's video-game adaptation Max Payne won't win the weekend, but with Beverly Hills Chihuahua still barking in theaters (it actually expands by 32 screens this week), the sour-cop actioner might see a tiny bite out of its margin of victory. Still, $20.8 million is a reliable bet, with Disney's purse dog settling settling with around $11.5 million. The X factor is W., the Bush biopic which some forecasters see sneaking into second place with as much as $12 million. But to project any more than $10 million, maybe $11 million max is to overestimate it as anything more than a curio, an election-year stunt that wields neither the bite nor the influence that even we thought it would when the fall movie season began. Josh Brolin drawls and squints in fitful, fascinating bursts, and certain imagined powwows leading up to the 2003 Iraq invasion make for riveting ensemble drama. On the whole, though, W. connotes the rush job it was — undisciplined, tonally dissonant (Stone's professed empathy for Bush repeatedly knocks its head on low-hanging satirical fruit) and way, way too long. The American people deserve better, and at least until Nov. 4, they'll vote with their dollars. There will be no stealing this election. Also opening: Seth Green's R-rated romp Sex Drive; Roy Disney's boat-race vanity project Morning Light; critic Godfrey Cheshire's acclaimed doc filmmaking bow Moving Midway; the indie tolerance drama Tru Loved; and for those of you in New York (and the rest of you on VOD), Madonna's directorial debut Filth and Wisdom. (L.A. will get its theatrical engagement Oct. 31.) THE BIG LOSER: The Barry Levinson-directed/Robert De Niro-starring Hollywood satire What Just Happened is one of the year's finest case-studies in meta: A troubled, pedigreed film about troubled, pedigreed filmmaking, following in the flatlining tradition of every industry saga that preceded it. It false-started out of Sundance last January but finally found a taker at Cannes, and to its credit, Magnolia Pictures has aggressively pushed the film everywhere from baseball playoffs to presidential debates. Still, one half of that audience hates Hollywood, and the other half is off to see W. As recipes for disaster go — even in limited release — this one is ready to serve.

While we found Andy Samberg's SNL impression of Mark Wahlberg as a sort of less-successful Dr. Doolittle overly preoccupied with sending his regards to farm animals' mothers to be flat out hilarious, not everyone was as amused. For starters, there was Wahlberg himself, who was asked about the sketch several times on the Max Payne interview circuit. In the audio clip above, set to a series of modeling shots and film stills by Defamer videographer Molly McAleer, the Robitussin-abusing star of The Happening seems mildy irritated by the caricaturization:He tells them, "Maybe it was a little jab because I refused to do the show so many times...[It's] not as funny as Hot Rod, but the kid's gotta do what he's gotta do to make a living. I ain't knockin' it. It's all good." Wahlberg hits official Pissed Off levels, however, in an interview with the NY Post: