Stephen Colbert Gives Us Another Lesson In the Scummy Tactics of Super PACs

Matt Toder · 05/08/12 11:07PM

The shady ways that Super PACs influence elections with large anonymous donations have become a sticking point for Stephen Colbert and he revisited the issue on tonight's Colbert Report. Tonight he examined the even shadier 501(c)4 loophole where the organization never has to disclose donor information because they are technically "social welfare organizations" which is high comedy to say the least.

Jon Stewart Explains How The Right Avoids Giving Obama Credit For Anything

Matt Toder · 05/08/12 10:27PM

On tonight's Daily Show, Jon Stewart delved into the concept of cognitive dissonance specifically in relation to the right and their inability to give President Obama credit for anything, even ordering the raid on Osama bin Laden's compound. Sure they agree with the result, but it's the bragging and the ease of the decision that keep them criticizing Obama.

Manhattan DA Refuses to Disclose Contacts With Roger Ailes or Fox News

John Cook · 05/08/12 04:16PM

In the wake of the New York County District Attorney's decision last month to launch a criminal investigation into Joe Muto, a.k.a. the Fox Mole, for the alleged theft of videos from his former employer Fox News, we thought it would be worthwhile to find out what we could about what relationship, if any, exists between the DA's office and Roger Ailes' operation. So we used New York's Freedom of Information Law to ask for correspondence and emails between Fox News employees and staffers in the DA's office. Today they refused our request.

Today's Song: Jimmy Edgar 'In Deep'

Rich Juzwiak · 05/08/12 02:45PM

The fourth album of Detroit's Jimmy Edgar, Majenta, is out today, and it's one of the most easily enjoyable dance releases of the year so far. Its production is clean and sparse, its references are broad, identifiable and respectful as they pump away ("Sex Drive" owes a debt to Frankie Knuckles and Jamie Principle's Chicago classic "Baby Wants to Ride," while "Let Yrself Be" is pure Inner City homage). But my favorite of its tributes are those paid to slow jams. The track above, "In Deep," is the album's concluding opus, which tips its hat to both Timbaland and Teddy Riley by way of Roger Troutman (it's kind of like an alternate scenario as to what it would sound like if Timbaland and Riley followed up their collaboration on the remix of Janet Jackson's "I Get Lonely"). It unfurls in a musky haze for a few minutes and then come some bass-music shuffles and a breakbeat. And then the real magic: "In Deep" breaks into a section riffing on the Art of Noise's "Moments in Love," maybe the definitive quiet-storm radio jam. (I almost was tempted to label that a spoiler alert because it feels like such a revelation.) "Moments" is a song that for years has say easily next to Phyllis Hyman and Freddie Jackson and Meli'sa Morgan and Teddy P., and Marvin, despite being created by a bunch of white people who had otherwise little to do with soul music. Nonetheless, it crossed over to the canon. Edgar's aspiration to do the same is palpable, and in a perfect world, he would.